Review: Time After Time (1979)

There’s no denying that movies are an effective way of making a statement, be it political, social, environmental etc. It’s an approach that’s being utilized more than ever in this increasingly connected world; so it’s rare when I watch a film that caters to the fundamental aim of simply entertaining the viewer by telling a […]

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Review: Electric Boogaloo & Machete Maidens Unleashed!

Never has there been a history lesson in film so wildly entertaining thanks to Australian film-maker Mark Hartley, who in recent years has put together two exceptional documentary features that explore the goings-on behind two distinctive and ethically questionable eras of cinema. Together for the first time and presented in high-definition, Umbrella Entertainment have packaged

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Review: Drive-In Delirium Maximum 80s Overdrive

Released earlier this week (March 1st) by Umbrella Entertainment accompanying Drive-In Delirium 60s & 70s Savagery, is an entire volume dedicated to possibly the most popular and celebrated decade in film, the extravagant and excessive 1980s. Upon pressing play we’re greeted with a very enticing commercial for Village Drive-In, showcasing the indulgent cuisine customary with

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Review: Passengers (2016)

Going to see Passengers wasn’t really on the agenda, but after a day of post-New Year shopping, which mainly involved hunting for Rogue One trading cards, it seemed like a good idea to fill the time before dinner at TGIF (on Wednesday). Starring two of the biggest movie stars on the planet, Passengers tells of

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Review: Lion (2016)

We’ve all had those moments as children when we momentarily lose sight of our parents or older sibling while out among the busy streets and shops. It doesn’t take long for panic to seep its way into our fragile minds, but no sooner as the thoughts of being lost forever occurs, we’re being scolded for

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Review: Down Under (2016)

Despite the lack of media attention over the years that followed, I remember the Cronulla riots reasonably well, with a number of grotesque images of hatred still firmly implanted in my brain. Over a decade later director Abe Forsythe has re-ignited discussion over the event by presenting film-goers with a dark, comedic feature which tells

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