I’ve seen a lot of Charles Bronson movies, but not nearly all of them. Hard Times ranks among my favourites from the blue-collar actor and marks the directorial debut of Walter Hill (The Warriors). Punching its way to DVD from Via Vision Entertainment earlier this month, the mid-70s classic takes audiences back to the midst […]
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Set for a highly anticipated ONE NIGHT ONLY screening across Australian capitals on April 12 by Monster Fest, Irish filmmaker Lee Cronin makes his big screen directorial debut with The Hole in the Ground, a paranoid horror-thriller akin rural folklore. Young mother, Sarah O’Neill, lives with her son Chris in the peaceful Irish countryside, after
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Charles Bronson and director Michael Winner were a formative duo who made several films together during the 70s and 80s. On the cusp of Dead Wish fame, the franchise that would ultimately end their professional relationship, The Stone Killer proved a modest hit as a big-city police feature in the wake of Dirty Harry. Out
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Master of the profoundly weird, Lars von Trier, is back after a five-year gap with the serial killer portrait The House That Jack Built, currently screening in selected cinemas across Australia through Monster Pictures and Umbrella Films. Set over a twelve-year period during the 1970s and 1980s in the State of Washington, our deranged lead
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Cinema has always been my go-to means of escapism and during the middle of a four-day stint of painfully slow internet speeds, Oliver Stone’s U Turn was the perfect detour thanks to its recent arrival on DVD & Blu-ray from Shock Entertainment. Sean Penn heads up a stacked cast as slick drifter, Bobby Cooper, who’s
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As many collectors and film fans bask in this 4K climate, the phrase “…first time on DVD.” probably sounds almost foreign to most. However, it’s very much the case for Lunatics: A Love Story, which recently made its surprise debut to the SD format under Umbrella Entertainment in Australia. Hank Stone (Theodore “Ted” Raimi) hasn’t
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Umbrella Entertainment’s announcement of Apt Pupil Blu-ray release to come out of left field but was met with a generally positive response from fans of the suburban thriller. Based on Stephen King’s novella of the same name, our story takes place in Southern California, 1984. Todd Bowden, a 16-year-old student discovers that his elderly neighbour
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I can still remember quite vividly the poster for The Serpent & the Rainbow hanging in the window of my town’s once prosperous video store. Call it my introduction to horror as the sight of a ghoulish Bill Pullman clawing out of a coffin was an image that fractured my fragile 4-year-old mind. It wouldn’t
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Swedish-born filmmaker and drummer Jonas Åkerlund has quite the impressive resume with 139 credits as director, mostly various music videos for the likes of Roxette, Madonna and Metallica just to name a few. With a body of work spanning over thirty-years, Åkerlund adds to his respectable list of feature films with the ultra-hard Lords of
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Cinema Cult wrapped up 2018’s slew of releases with two very distinctive horror classics; Wes Craven’s Haitian nightmare The Serpent & the Rainbow and Paul Schrader’s erotic fantasy Cat People. Based loosely on the Val Lewton original from forty-years earlier, screenwriter Alan Ormsby (Deranged) pens this re-imagining about a young woman’s sexual awakening. Driven by
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