Review: Our Power (2018)

A three-years-in-the-making and passion project for Melbourne-based director Peter Yacono and producer Anissha Vijayan, Our Power is a documentary feature exploring the impact of the Hazelwood Mine Fire, which occurred in the Latrobe Valley during February and March of 2014. The feature also strives to present the region’s history of power generation, spanning close to

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Mother’s Day Review: Throw Momma from the Train (1987)

Criminal matriarch Mama Fratelli from The Goonies will forever be my favourite ‘screen mum’, due entirely to the un-apologetically abrasive performance of actress Anne Ramsey; but it’s her Oscar-nominated turn as the titular character in Throw Momma from the Train that deserves more love, especially on this Mother’s Day. Putting a darkly comedic spin on

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DVD Review: Society (1989)

After producing a number of horror staples during the mid-to-late 80’s, Brian Yuzna made the leap to directing with the twisted Society, which offers a satirical and highly grotesque portrayal of the elite and their self-serving appetites. We discover this horrifying final rung on the social ladder through the ordinary eyes of Bill Whitney, a

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Review: The Funhouse (1981)

Being partially unfamiliar with a noted director’s filmography can be adventitious for prospective viewers. Following the unexpected passing of Tobe Hooper last year, discussion of his twisted horror/slasher The Funhouse, a title I had never heard of, spiked significantly online among fans, and has since found its way Down Under via a modest Blu-ray release

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DVD Review: Lucky (2017)

Whether the late Harry Dean Stanton intended Lucky to be his last film, he and audiences alike could not have been given a better send off to an all-time great character actor. This thoughtful drama from first-time director John Carroll Lynch, bids us to ponder life’s ultimate questions and the fate that is bestowed upon

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Review: Beetlejuice (1988)

Tim Burton was sent several scripts following the success of his directorial debut feature Pee-wee’s Big Adventure, but quickly became disheartened by their lack of imagination and originality; then came a script from novelist and screenwriter Michal McDowell, whom Stephen King had once called “the finest writer of paperback originals in America today”. Delighted by what McDowell had

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