Injustice towards the indigenous populous of Australia has been well documented in cinema, with stunning titles such as The Chant of Jimmie Blacksmith, Rabbit Proof Fence and The Tracker just to name a few. Released earlier this year to widespread praise from critics and audiences, Warwick Thornton’s Sweet Country is one such tale, but goes […]
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Needless to say sword-and-sorcery was a staple of 80s cinema. From the savage revenge quest of Conan the Barbarian to the more family-friendly The Princess Bride, it’s a genre that caters to a wide audience. Don Coscarelli’s (Phantasm) The Beastmaster falls between the tone of those two films and has recently been re-issued by Umbrella Entertainment
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From a festive-themed community dance to a climactic scene within a lush pumpkin patch, Dark Night of the Scarecrow certainly has an appetising Halloween flavour. Despite not knowing of the appealing trait, I couldn’t help but wish I was watching the popular TV movie on October 31st. Produced by CBS Fox on the back of
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Not one to leave fans hanging, Umbrella Entertainment’s second volume of its dedicated sub-label, Beyond Genres: Worlds on Film, brought with it sequels Bride of Re-Animator and Beyond Re-Animator. Producer Brian Yuzna takes the reins from Stuart Gordon and while the results were mixed, Umbrella’s Blu-ray treatment of both films is nothing short of impressive.
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Completely restored, uncut and presented in glorious widescreen, What the Peeper Saw is an intriguing horrific thriller about a young woman named Elise who suspects her seemingly innocent step-son of murdering his real mother, and now fears she may be next. Having recently seen the trailer presented on Umbrella Entertainment’s lasted volume of Drive-In Delirium,
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Loosely based on H.P. Lovecraft’s 1922 serial novelette Herbert West–Reanimator, director Stuart Gordon brought the twisted Frankenstein-esque tale to the big screen after original plans for a stage production and television pilot were scrapped. Since its release over thirty years ago, Re-Animator has become a celebrated favourite among horror fans, due to its unmatched level of
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In a bizarre case of the hand that rocks the cradle, director William Friedkin points the lens at nature’s dark side in The Guardian, released on Blu-ray earlier this month from Cinema Cult. Originally marketed as Friedkin’s first return to horror since 1973’s The Exorcist, our story from the annals of druid mythology follows a
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With small pipes for drinking straws, three soft-core Star Wars fans of sound mind hauled several liters of soft drink into a Friday night showing of Solo: A Star Wars Story with little to no expectations. Built from a casual boast of skilled flying and something about a Kessler run, this second anthology instalment traces the
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With a certain overused headline that’s becoming difficult to take seriously, it’s still easy to get swept up by the latest horror sensation, which can be chalked up to a simple thrill derived from a good ol’ fright. With a double pass in hand, my girlfriend and I ventured to our local movie house for
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Rolf de Heer’s (Bad Boy Bubby) polarising tale of racial injustice, The Tracker, comes to Blu-ray for the very first time thanks to Umbrella Entertainment, who have endeavoured to deliver the definitive edition of one of Australia’s most important and significant films. Set in 1922, four men relentlessly track a fugitive across the outback, an
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