Unlike some film genres, my love for science fiction has yet to diminish over time; if anything, I’ve gained a greater appreciation since exploring many vintage titles from its golden era. When the trailer for Arrival dropped online, it instantly piqued my curiosity along with countless others. In this very sombre piece from hard-edged director Denis Villeneuve, a linguist is recruited by the military to assist in translating alien communications from one of a number of unknown objects that have appeared in various locations around the globe.
During the first half of Arrival, we’re presented with many of the fundamental elements synonymous with classic sci-fi cinema, raising commonly asked questions, one of which appears prominently on the film’s poster. Initial events unfold in a way that we could possibly expect if such an event were to actually occur, which coincides well with the film’s realistic approach and tone. While I was thoroughly intrigued by the profound sense of mystery, dissatisfaction began to creep in as the focus shifted from the aliens to the protagonist. A philosophical tone pertaining to personal struggle and torment took over, which I felt eclipsed much of what was being offered earlier on. Despite my misgivings, Amy Adams is extraordinarily poignant as the film’s lead, Dr Louise Banks, accompanied by Jeremy Renner, who is a solid counterbalance as theoretical physicist Ian.
In many respects, Arrival is an impressive and well-made film, earning big points for originality and performances from a modest cast of immensely talented actors. Contrary to what the majority of people are saying, it may not click with everyone, but you’re in for an experience nonetheless.
ARRIVAL
(2016 dir: Denis Villeneuve)
★★★½
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